$25 - $35
https://thetripledoor.net/event/6417488/750163934/seattle-vice
From the acclaimed creative powerhouses Mark Siano and Opal Peachey comes an electrifying new cabaret musical, Seattle Vice. Inspired by Rick Anderson’s gritty and groundbreaking book Seattle Vice and following the runaway success of their 2016 hit Seattle Vice, this bold production dives even deeper into the scandalous and storied history of Seattle's underworld
In the swinging, seedy 1970s, Seattle’s infamous “tolerance policy”—a corrupt handshake between law enforcement, politicians, and vice industries—was the foundation of an illicit empire all along Seattle's waterfront and debaucherous downtown.
Seattle Vice ’76: The Saga of Sin takes audiences on a whirlwind journey as investigative journalists and reformist politicians bring the system crashing down, leaving in their wake a tale of ambition, rebellion, and exploitation. This cabaret musical reveals the glitz, grit, and chaos that defined the Emerald City during one of its most infamous decades.
Expect nothing less than a feast for the senses as Siano and Peachey deliver their signature style of dazzling performances. The production will feature pole dancing, go-go, burlesque, and jaw-dropping circus arts, paired with an original, genre-defying score that fuses funky grooves, sultry jazz, and driving rock. Audiences will also be treated to the evocative storytelling that has earned these productions a devoted cult following over the past decade.
Peachey and Siano are renowned for their provocative hit cabaret shows at the Triple Door including Bohemia, Twin Peep Show, Modern Luv, and The Fairy's Bottom to name a few; and Seattle Vice ’76: The Saga of Sin promises to be their most wild and racy show yet.
Duration 90 Minutes
$10 - $100
Ever wonder why Alice could always keep up with the inhabitants of Wonderland? Alice in Shadowland follows the White Rabbit through a world built from light and shadow by projection artists Shadow Girls Cult. The cast of circus artists recount the journey through the White Rabbit's perspective as he rushes to the Red Queen, yet continues to find himself just as distracted by his colleagues and the curious girl chasing after him. The encounters are re-envisioned as circus aerial and acrobatic acts along with various interactions with the shadow projections cast upon them. The journey culminates with an audience with the Red Queen, where she lays judgement on Alice and we follow her escape.